I have yet to write anything today, but I did just release this on bandcamp:
(31 July 2018)
I have yet to write anything today, but I did just release this on bandcamp:
(31 July 2018)
That I have music and whatnot on bandcamp… Continue reading
For the first time in maybe two or three years, I am listening to more than just a couple of Xmas songs. I haven’t been feeling it the last couple of Xmases (I’m still not, if I’m to be completely honest), so watching my usual batch of Xmas movies (It’s a Wonderful Life, Scrooged, The Ref, National Lampoon’s Christmas Vacation, A Christmas Story, Monty Python’s The Meaning of Life, 1941, and especially Bad Santa (the director’s cut, of course) has been about as much as I have been willing to do.
Now and then I have made Xmas mixtapes or mixdiscs, but have not really made an effort in that direction for a few years now. A couple of days ago, I did make a mix that I could dub to cassette and play in the car (the CD player hasn’t worked for a couple of years now, so I listen to cassettes instead), but did not put together a proper mix this year until today.
Here it is: Continue reading
The soundtrack of my 2005 experiment with a digital camera, video feedback, and digital editing. I gave away DVD-R copies of the video as xmas presents in 2005; I remastered the audio, and also created a new mix, in April 2014.
(1 December 2017)
A 2014 compilation of some of my recordings from 1989. These pieces all have a primitive, playful quality that I never quite achieved again.
(1 December 2017)
‘Miren’ is a Japanese word that refers to a lingering attachment to someone, often tinged with regret. This EP was recorded under the influence of such a mindset.
Recorded October 1994, compiled and released in digital form in 2014.
(1 December 2017)
Four pieces, recorded in 1989, sharing a similar quirk in the sequencer of the synthesizer I was using at the time.
(1 December 2017)
A 2014 digital compilation of music that was previously unreleased.
(1 December 2017)
The last Tinty Music cassette, released in 1998, contained half new music, and half music that I had recorded while I was living in Tokyo. This digital edition, released in 2014, contains only the older material.
(1 December 2017)
A 2014 reissue of a 2011 digital compilation that comprised two live cassette releases (one from 1996, one from 1997), both of which were recorded at the late, great Anomalous Records shop and performance space in Seattle’s Capitol Hill.
(1 December 2017)