One of those days where I have yet to write anything [okay, so I forgot I wrote something this morning], but I did just release this on bandcamp:
(23 September 2018)
One of those days where I have yet to write anything [okay, so I forgot I wrote something this morning], but I did just release this on bandcamp:
(23 September 2018)
I have yet to write anything today, but I did just release this on bandcamp:
(31 July 2018)
A 2014 compilation of some of my recordings from 1989. These pieces all have a primitive, playful quality that I never quite achieved again.
(1 December 2017)
‘Miren’ is a Japanese word that refers to a lingering attachment to someone, often tinged with regret. This EP was recorded under the influence of such a mindset.
Recorded October 1994, compiled and released in digital form in 2014.
(1 December 2017)
Four pieces, recorded in 1989, sharing a similar quirk in the sequencer of the synthesizer I was using at the time.
(1 December 2017)
A 2014 digital compilation of music that was previously unreleased.
(1 December 2017)
The last Tinty Music cassette, released in 1998, contained half new music, and half music that I had recorded while I was living in Tokyo. This digital edition, released in 2014, contains only the older material.
(1 December 2017)
An October 1995 cassette, remastered and reconfigured in 2014. ‘No escape from time’ first appeared on the Mind/Body 3 CD compilation.
(1 December 2017)
I may not have a poem to post today—but I did make this:
(15 October 2017)
I have had this piece up on SoundCloud for a while, but thought I should make it available for download. It is available on a ‘pay what you want’ basis.
(14 September 2016)
Update: Last month, I discovered that I still had the image file of the DVD edition of the unreleased album I constructed this collage from. Naturally, I can’t do anything with it, since I own neither the music nor the visuals (I never knew the name of the video artist, only that he had signed a contract that effectively rendered his visual contributions off limits), but it has been good to hear (and see) the album again.
(24 April 2017)