National Poetry Writing Month 2018, Day 6

The Day 6 prompt from Napowrimo.net felt sort of safe, and the examples of different types of line breaks didn’t seem all that unusual. Even the Amiri Baraka poem, while starting a new sentence at the very end of lines here and there, didn’t go as far as to make sentences span stanzas.

For a while towards the end of high school, and on into college (until I stopped writing for a few years), I used very short lines, with three words being my unofficial maximum per line. A couple of years ago, when I was exploring specific forms, I found that some forms led me to write very long lines. Most of the time, I try to break lines somewhat logically, based either on where one might mark the end of a phrase when diagramming linguistically (though I don’t consciously approach it that way), or on where I would otherwise use a comma or semi-colon.

For this poem, I opted to create an exaggerated contrast between long(ish) and short lines—with the short lines, going so far as to break at the ends of syllables…

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National Poetry Writing Month 2018, Day 4

The prompt from Napowrimo.net for Day 4 is to write about something abstract using ‘relentlessly abstract nouns.’ The result of my stab at this is one of the stranger poems I have ever written—and, quite possibly, one of my more successful attempts at ‘show, not tell’.

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National Poetry Writing Month 2018, Day 3

Today’s poem is a variation on the prompt from Napowrimo.net. Instead of a list poem of fake band names, I came up with a list of fake band names (not wanting to take the time to go through social media and find all my old ‘that would be a good name for a band’ posts), then wrote a poem incorporating them.

The list I started with:

The Abandoned Typewriters
Blue Whale Guilt Trip
The Ex-Lepers
The Outpatients
Jasper’s Fine-tooth Comb
Cellular Level
The Expired Tabs
The Public Option
Sandwich Shoppe
Regular Guys
Not So Much
The Embodiment of the American Dream

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