National Poetry Writing Month 2019 Day #9 (pts. 1 and 2)

For Day 9, I combine the two prompts I have been using:

The prompt provided by poet (and bookstore owner) Chris Jarmick on his blog, POETRYisEVERYTHING, calls for a poem that uses anaphora.

The napowromo.net prompt calls for ‘a Sei Shonagon-style list of “things”’.

(And I forgot to update the title of this post. It is fixed now. What will I do tomorrow? Stay tuned!)

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National Poetry Writing Month 2019 Day #8 (pt. 1)

Here I use the prompt provided by poet (and bookstore owner) Chris Jarmick on his blog, POETRYisEVERYTHING.

The task for Day 8 is to write two eight-line poems—one that excludes eight letters of the alphabet, one that consists of only eight letters. This was harder than I thought it would be.

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National Poetry Writing Month 2019 Day #7 (pt. 1)

Here I use the prompt provided by poet (and bookstore owner) Chris Jarmick on his blog, POETRYisEVERYTHING.

The task for Day 7 is to write two septolets—one formal (16 syllables in seven lines, 1–2–3–4–3–2–1), one informal (14 words in seven lines, with no more than three words in a line).

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National Poetry Writing Month 2019 Day #6 (pt. 1)

Here I use the prompt provided by poet (and bookstore owner) Chris Jarmick on his blog, POETRYisEVERYTHING.

The task for Day 6 is to create odd combinations of words for colors, then use three to five of them in a poem.

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National Poetry Writing Month 2019 Day #5 (pt. 1)

Here I use the prompt provided by poet (and bookstore owner) Chris Jarmick on his blog, POETRYisEVERYTHING.

The task for Day 5 is to write a poem that includes seven references to falling. My approach was to use parts of song titles that contain some form of the word ‘fall’. All of the songs titles I chose are listed here.

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National Poetry Writing Month 2019 Day #2 (pt. 1)

Here I use the prompt provided by poet (and bookstore owner) Chris Jarmick on his blog, POETRYisEVERYTHING.

This prompt is basically the same as last year’s Napowrimo.net prompt for Day 18. As I did then, the poem I used for my line-by-line backwards response was ‘Ophelia’ from Janée J. Baugher’s book Coördinates of Yes. This time, I stuck more closely to the line structure of the original poem while writing, though I edited and revised according to my sense of the internal rhythm of this new poem.

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