Sounds recorded during summer (and tiptoeing into autumn):
(4 October 2022)
Tinty Music
New sounds: 哀歌 (aika) [Elegy]
Sounds recorded spring into summer.
(11 September 2022)
New sounds: Pure improv #8 and OM
A two-fer of new sounds:
Pure improv #8
OM
(24 August 2022)
New sounds: Twenty-one core samples (or I just like the sound of it, even if I don’t quite know what it is)
Sounds recorded spring into summer.
(14 August 2022)
New sounds: (Monos + Duos) x Cosmos
My latest exercise in sonic indulgence is this collection of pieces made using the Hikari Instruments Monos CV and Duos analogue synths with the Soma Cosmos drifting memory station (an ‘anti-looper’).
(18 May 2022)
Tinkering with old sounds to make new ones: Oceanography
I wanted to fix a couple of things, then kept going.
(19 December 2021)
Old sounds: Four words
Ending the month by reviving a previously unreleased piece from the archives.
(28 February 2021)
New sounds: Immerse deeply, for the flow is present but a moment
More new sounds. As usual, I can’t leave well enough alone.
(27 February 2021)
Sinistrata: Music from the Archives, Vol. 1
The last Tinty Music cassette, released in 1998, contained half new music, and half music that I had recorded while I was living in Tokyo. This digital edition, released in 2014, contains only the older material.
(1 December 2017)
Compilation tracks, 1996–1997
Three pieces released on compilations in 1996 and 1997; I reissued them as separate pieces in 2014.
‘Slip mode’ is an edited recording of me abusing a turntable I rescued from the dumpster of the apartment where I was living at the time. It originally appeared on a compilation cassette of music by folks subscribing to the Sylvian mailing list (back when internet mailing lists were a thing).
‘Gotanda-eki/Shibuya-eki/Ekimae’ was my contribution to the Wood Block Compilation double cassette released by Sound Probe Recordings.
‘Opacity grid’ was my contribution to Resurgence, a double-CD compilation of electronic artists from Oregon and Washington. I had trouble coming up with something new, so I dubbed ‘Refraction grid’ to a 4-track cassette, and used that as the basic for this new piece.
(1 December 2017)
Ordinary Average Thoughts 